And and active one without a transformer is asking for ground loop hum with unbalanced AC powered gear. You can use an active one if you want - I don't see the point, because reamping is all about attenuation - there is no need for an amp stage that adds noise just to drop down in level. Radial use excellent steel boxes that are brilliant and they've added some extra features. In my opinion they now make it better - the originals have aluminum cases which don't shield magnetic fields. But now Radial has bought the rights, and they make it as one solution together with their own different designs. So the big names just bought the patented Reamp. In my opinion, that is a very big obtacle because it means compromise. Since that time, all other reamp makers had to skirt around the basic problem that Mr Cuniberti owned the patent rights to the best design. For whatever reason a Mr Cuniberti made a commercial device and obtained the patent rights to the most obvious and best implementation of the basic idea. The only problem you’re going to face now is some serious option paralysis.Basically Reamping is a very old technique (at least as early as The Beatles - probably Les Paul got there first). You can do all kinds of crazy things with this after the fact, reamp through multiple amps and A/B til you’re blue in the face, or stack amp sounds to get the perfect tone. I love this approach because the sky’s the limit. I usually like to double track a section of the song like this to hear it before letting it run through the whole song. The sounds you choose from there are up to you. The DI signal will now be sent out to the amp, and your performance is then coming through the amplifier and back into your DAW like you were recording it there on the spot, but now your hands are free to tweak the knobs and really listen. Record arm your new track, solo it and the DI track, and hit record. Technically, you can have it on standby during all this, but why risk forgetting? Then, and only then, when the loadbox is plugged in and turned on with the amp plugged into it, can you turn on your amplifier. You may also need to mute the direct signal coming in on your interface’s software to avoid hearing the signal coming in without a cab. ![]() Make a new track in your DAW to receive the signal coming in from the amp, and if you’re using a loadbox, you’ll need to put a cab sim on the track. Now you can plug the loadbox’s XLR output or microphone you’re using on the speaker cab into the mic preamp on your interface and set the level. Also, you never want to run an amp without it being plugged into some kind of load. Don’t plug it straight into an interface or anything else, it’ll be a disaster of epic proportions. You also NEVER want to plug a speaker cable from an amp into anything other than a load-bearing device such as a loadbox or speaker cab. So make sure you’re plugging an 8ohm output into an 8ohm loadbox or 16ohm into 16ohm, etc. At best, if you mismatch it will sound like crap. You MUST match the impedance (ohms) of the amp’s output to the loadbox. You are now going to plug an amplifier speaker cable (the same kind that goes from your head to your cab) from the power amp output of your amplifier into either the loadbox (if you’re recording the direct signal and using cab IRs) or into your speaker cab (if you’re mic’ing a cab). The next step is crucial for you to get right for the safety of all the devices involved. Then you plug a guitar cable from the output of the reamp box into the front input of your amp (or first into any effects going into the front of the amp). Then you’re going to plug your TRS cable into that line out, and plug the other end into the input of your reamp box. Next, you need to route the DI signal you just recorded so it’s coming out a line out from your interface. This is a whole topic in itself, but the short version is that you plug your guitar into the DI box, and plug the DI box from the XLR out into a mic preamp on your interface (some interfaces have a DI input on the front and you don’t need a DI box, although the quality is questionable on some units), then you record your guitar that way (usually with amp sims on the track for monitoring) into your DAW. In this video, I’m using the Two Notes Torpedo Reload, which has a DI, a reamp box, and a loadbox all in one, but you can achieve this with each separate unit.įirst, you’ll need to record your guitar as a DI signal. ![]()
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